For correct operation of our site you must enable cookies
Moscow
Saint-Petersburg
Geleznodorognyy
Zelenograd
Lesnoy
Mytishi
Pushkino
Reutov
Tver`
EN
Вы смотрели
How to get a ticket?
+7 (495) 648-38-38
Contact us
Register
Feedbacks from viewers
Elena was 17 december on Eugene Onegin

Beautiful, spectacular, but for me it was protracted. Literally before Vakhtangovsky Onegin, I went to the Onegin show, staged by SAM (Commonwealth of Actors and Musicians). And after they were staged, where Chonishvili was one of the main reciters, it was extremely difficult for me to listen to Makovetsky in Vakhtangov. Perhaps, if there had been Guskov, the performance would have been perceived differently. Guskova heard later in the play Onegin-blues (another of Onegin's variations, which she saw as many as 4 that season). Only in the second act, at the sight of the wagon under a snowstorm, did my heart tremble and accept the production.

Ruslan was 27 december on Eugene Onegin

Great, great, awesome! Comedy and tragedy, love and egoism, classic and fresh look are intertwined in the performance. Yes, this statement cannot be called classical, but it feels love for the original, for the author and art in general. This is far from a vulgar interpretation, and the actors with such tenderness, with such rapture and penetration, pronounce the text of Pushkin, which captures the spirit. On the "Onegin" Tuminas want to look endlessly. Thank!

Nikolay was 16 october on Eugene Onegin

My wife, son, and I go to theaters infrequently, on average 5-6 times a year. I like the GAMT very much, recently went to Et Cetera on Kalyagin's “Faces,” In indescribable delight. On this wave went to Vakhtangov. Bought for the name (the son needs to study at school), the awards of the performance and the busy actors. The impression ... For the first time we left the play during the intermission. And this is not disrespect for the actors (judging by the prices for a ticket, their fee is not bad). By no means. Just so mock Pushkin, we could not bear. Still, one feels the attitude of the director to the author in particular and to the people, apparently, as a whole. Some kind of sur. Why does Olga need an accordion and why does she go with him all the time? Why Onegin two (although his wife said that there were three of them like), two Lena? In general, it is a pity that such performances receive Golden Masks. From now on we will be more careful with modern readings of the classics. I can not recommend this performance to an amateur. We definitely did not like it. It's a pity...

Евгений Онегин

Евгений Онегин16+

Purchased earlier: 3487
Location:
Москва, Арбат ул., 26
Duration:
03 h 30 min
close

Story

Not often in the dramatic theater we meet with "Eugene Onegin" Pushkin. Reader programs and opera interpretations prevail.

In the Vakhtangov Theater, director Rimas Tuminas, Yulia Borisova, Lyudmila Maksakova, Sergei Makovetsky, Vladimir Vdovichenkov, Oleg Makarov and young artists decided to translate the novel in verse in dramatic form. Carefully, improvisingly, trying to find a stage equivalent to a word, a plot, destroying nothing and trying not to miss anything. This is our knowledge of Pushkin, his heroes, their world, the space of Russia.

"Who is there to love? Who should I believe? "

It seems that we know everything about Pushkin. But the volumes of serious research by literary critics and philosophers can not fully comprehend the phenomenon of the poet.

Alexander Sergeevich - "our everything" - unknown, mysterious. And every time you turn to him, you are afraid to repeat yourself in perception, you try to avoid cliches, knowledge, to which the poet resists, because he is always more - unsolved. It is not exhausted by the plot.

"Eugene Onegin" is what? Philosophical thinking about life in a poetic form? - not only, the love story - not quite. This is a vast space of peace and feelings that has contained all the ages, the game of the mind, insights, guesses, anger, reproof, satire and cynicism, compassion and forgiveness.

"Eugene Onegin" is an "encyclopedia of Russian life" and a highly popular work, a novel in verse, written in the era of romanticism, where "the modern world appeared with all its cold, prose and vulgarity."

And, at the same time, according to Belinsky, "Onegin is the most intimate work of Pushkin, the most beloved child of his imagination, in which the personality of the poet was reflected with such fullness, light and clear. Here the whole life, the whole soul, all his love, here his feelings, concepts, ideals. "

"Eugene Onegin" is the expanse of Russia, the destinies of its heroes, customs, customs, culture, nature.

This is an attempt to penetrate into the essence of the Russian soul, to understand the Russian character, which is not sober in analysis. This Russian society in all its hypostases - the naive charm of a pagan village and the cold stiffness of the upper world. This is Tatyana's brave trembling and Olga's playful naivety. It is "the mind of cold observations and the heart of woeful notice."

The performance of Rimas Tuminas destroys stereotypes, he is, as always, authored, seen and lined up polyphonic, musically, rigidly and emotionally. The director is alien to the poetic flair, he breaks the rhythmic construction of the phrase, it draws the prose of life, he is an enemy of loftiness and false lyricism.

With his performance, he destroys the "stuff of memories" previously seen and read. He opens a new meaning in the character and plot.

Who is the hero of this novel - Onegin? Of course, Tatiana, "Tatiana - Russian soul ...".

Its Russianness in an organic merger with nature, customs, sincere sincerity, ingenuous fearlessness. She is captivating in natural grace, courageous straightforwardness, bitter sincerity: "but I am given to another and I will be faithful to him for a century".

Tatyana writes her frank confession to the man whom her imagination created, her fiction is more significant than the original, this is her gift to Onegin, which he could neither understand nor appreciate or justify with his essence.

For Onegin this is another message, he did not give himself the trouble to comprehend and unravel it, he, according to Dostoevsky, "could not distinguish between completeness and perfection in a poor girl." He did not see her either in the village wilderness, or in the St. Petersburg salon. He did not want to know, to see it. Tatiana will guess him: "Is not he a parody?". Although the very object of adoration is sure: "I'm young, life in me is strong, What can I expect, longing, longing!". Read - the soul is empty.

In St. Petersburg, Onegin is captivated not by Tatyana herself, it is not a return to memories, but a blinding glint, a position in the light. For Tatyana - it's candles, for Onegin - dignity, nourishing his imagination and feelings.

Their difference is so obvious that, going towards each other, they will necessarily pass by, so their souls are not touched in the notion of love, dignity, spirituality. Its dominant is Russia. His throwing around the world is vanity, impossibility to stop on the main, but rather ignorance, what is the main thing - the homeland, duty, love?

In their confrontation - a bitter pattern of incompatibility.

Read more

Review

"Who are you, my angel is a guardian or an artful tempter: let my doubts decide."

Tatyana's letter ... Such sincere ... She wrote it in French. "She did not know Russian well, she did not read our magazines and explained herself with difficulty in her native language."

Suppose that Onegin did not know French well? He could misunderstand Tatiana, the Russian soul, which is infinitely far away to Onegin.

He and himself are bored. He runs away from himself, travels to different countries, but the hard grip of the spleen does not let him go for a minute.

The whirlwind of a noisy ball in a noble assembly. Only this ball takes place in the snow-covered summer garden, in St. Petersburg.

And where the ball, there is joy and laughter, music and ballet, opera arias and home music making, masks and intrigues.

Or is it not a ball, but a magic dream that Tatiana dreams about? It is possible that she foresees her near future. Very soon she will become a noble lady.

Wherever there was a dear Tatyana, in a native estate of family Larinyh or in huge halls of the Moscow private residence, she dreams of love.

But her chosen one is not the romantic hero she invented herself.

Onegin did not live up to her expectations.

So he went through life past her ... "And happiness was so possible, so close."

Read more

FeedBacks

Elena was 17 december

Beautiful, spectacular, but for me it was protracted. Literally before Vakhtangovsky Onegin, I went to the Onegin show, staged by SAM (Commonwealth of Actors and Musicians). And after they were staged, where Chonishvili was one of the main reciters, it was extremely difficult for me to listen to Makovetsky in Vakhtangov. Perhaps, if there had been Guskov, the performance would have been perceived differently. Guskova heard later in the play Onegin-blues (another of Onegin's variations, which she saw as many as 4 that season). Only in the second act, at the sight of the wagon under a snowstorm, did my heart tremble and accept the production.

Ruslan was 27 december

Great, great, awesome! Comedy and tragedy, love and egoism, classic and fresh look are intertwined in the performance. Yes, this statement cannot be called classical, but it feels love for the original, for the author and art in general. This is far from a vulgar interpretation, and the actors with such tenderness, with such rapture and penetration, pronounce the text of Pushkin, which captures the spirit. On the "Onegin" Tuminas want to look endlessly. Thank!

Nikolay was 16 october

My wife, son, and I go to theaters infrequently, on average 5-6 times a year. I like the GAMT very much, recently went to Et Cetera on Kalyagin's “Faces,” In indescribable delight. On this wave went to Vakhtangov. Bought for the name (the son needs to study at school), the awards of the performance and the busy actors. The impression ... For the first time we left the play during the intermission. And this is not disrespect for the actors (judging by the prices for a ticket, their fee is not bad). By no means. Just so mock Pushkin, we could not bear. Still, one feels the attitude of the director to the author in particular and to the people, apparently, as a whole. Some kind of sur. Why does Olga need an accordion and why does she go with him all the time? Why Onegin two (although his wife said that there were three of them like), two Lena? In general, it is a pity that such performances receive Golden Masks. From now on we will be more careful with modern readings of the classics. I can not recommend this performance to an amateur. We definitely did not like it. It's a pity...

Give feedBack

Tickets

No tickets 31 january sun 19:00

tickets for other dates

Buy List 18 may tue 19:00
Buy List 26 may wed 19:00

Invite friends

Related events

Based on thousands of feedbacks, Teatronet defined events that are "close in spirit to the times and tastes"

by the way!!

According to statistics and audience who have bought a ticket for«Евгений Онегин», we recommend to see